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Les Paul & Mary Ford on Omnibus (7min version with jokes)

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Les Paul & Mary Ford appear on Alistair Cooke's "Omnibus" (10/23/1953) to dispel rumors that their recordings are all electrical gadgetry. They perform two demonstrations of their recording techniques (one fake making fun of rumors and on real with his multitrack recorders. He is using his now famous Ampex model 200 machines (1-inch tape) given to him by friend Bing Crosby. He added an extra recording playhead to each to create the 1st multitrack system. (note: this is NOT the Ampex 8-track Les Paul commissioned in 1954 and finished in 1957.)

Channel: Entertainment
Uploaded: November 30, 1999 at 12:00 am
Author: oobleckboy

Length: 07:28
Rating: 4.985185
Views: 72914

Tags: Les  Paul  Mary  Ford  Alistair  Cooke  Omnibus  Ampex  multitrack  How  High  the  Moon  

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Video Comments

ZonieBill (November 30, 1999 at 12:00 am)
@crazyvideoshow I think it's "How High The Moon"
TheHornet79 (November 30, 1999 at 12:00 am)
1:14 I wonder how much that mixer is worth on Ebay by now.
crazyvideoshow (November 30, 1999 at 12:00 am)
pls someone tell me whats the last song they´re playing ? :O
UGLYPAPA (November 30, 1999 at 12:00 am)
Aaaaaaaammmmmmmmaaaaaaaaaaaazing!!! 
lukpac (November 30, 1999 at 12:00 am)
@DrBlowThingsUp Paul told stories for years that he came up with the idea and design for the 8-track and had Ampex build it, but the truth is Ampex came up with the idea and brought it to Paul. The design was entirely that of Ampex. I can't seem to post a link to the PDF, but search for this on Google: Sel-Sync and the "Octopus" - Audio Engineering Society That is the story of the development of the Ampex 8-track made for Les Paul.
lukpac (November 30, 1999 at 12:00 am)
@alcockell Your description of the Beatles' recordings is incorrect. The first two albums were recorded on 2-track, dubbing from one machine to another for overdubs. Not until I Want To Hold Your Hand did they utilize 4-track machines. And the stereo mixes had nothing to do with Capitol. They were produced by George Martin and released concurrently (or, a month later for Please Please Me) with the mono mixes in the UK. The first two albums are basically dubs of the 2-track session tapes.
lukpac (November 30, 1999 at 12:00 am)
FYI - those are not Ampex 200 machines, nor are they 1". They are 1/4" machines, probably Ampex 400. Also, dubbing back and forth 24 times is not the same as a 24-track machine. Those were not introduced until 1968/9, as the Ampex MM-1000.
fieldfullofthistles (November 30, 1999 at 12:00 am)
brill
xijack (November 30, 1999 at 12:00 am)
He played live regularly right up to the end
hifijohn (November 30, 1999 at 12:00 am)
please stick the mic right infront of les's hand when hes playing!


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